Treasury of the World: Jewelled Arts of India in the Age of the Moguls - British Museum
In May I was, once again, at the British
Museum this time to see Treasury of
the World: Jewelled Arts of India
in the Age of the Moguls: a fabulous
collection of jewels and jewelled
objects d'art from Islamic India amassed
by Sheikh Nasser al-Sabah of Kuwait.
The world flocked to the 17th Century
Persian-speaking Mogul court which
was under the rule of the Muslim princes:
Portuguese Jesuits Laden with copies
of the Bible and pious engravings
(not that they made any religious
converts!!); court painters of illuminated
manuscripts in the style of the Dutch
and German painters; artists in Chinese
porcelain and Venetian glass.
Mogul artists seemed equally at ease
with the shapes and motifs from every
culture. The adapted the form of western
sailor's travelling trunk with an
arched lid to make a minute jewel
casket of just about one inch long
with ruby stones covering the gold
body was beautiful. A unique covered
bowl and its presentation tray decorated
with anemone buds, the blossoms seem
to explode outward on the tray whilst
converging towards the lotus bud finial
on the dome-shaped cover.
The anemone is a flower, which appears
to feature very much in their work.
One of their exquisitely decorated
daggers was coated with carmine red
anemones enhanced by emerald green
leaves on a milk-white ground. There
is an "inkwell and pen-case"
designed for imperial use in pale
translucent jade covered with gold-inlaid
panels that enclose tiny ruby and
emerald anemones. Another dagger is
carved from brittle walrus ivory that
came to Hindustan from Siberia, through
Central Asia and Iran, its handle
topped by the head of a lioness baring
its fangs. Some of the most beautiful
archers' rings in the world can be
seen, case in silver and plated with
paper-thin gold foil inlaid with deep
purple blossoms and emerald green
enamels. Simply Gorgeous!!
Verinha Ottoni.
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