Somerset
House - London
Somerset House was designed by George III's architect, Sir William Chambers
and was built to provide offices for
Civil Service and learned societies
who used the courtyard as a car park.
Inland Revenues are still housed in
part of the building. The Royal Academy
of Arts occupied the North Block while
the South Building, adjacent to the
so-called King's Barge House, housed
the Navy and Stamp Offices. The Barge
House, now known as the Embankment
Building, was originally built out
into the river and was a gateway on
to what then was London's most important
thoroughfare - the River Thames.
The magnificence of its early days
eventually faded as the societies
moved elsewhere and the Civil Service
functions were gradually downgraded
and the building of the Victoria Embankment
in the 1860s cut the building off
completely from the river. In the
early 1990's the Heritage Fund enabled
the building to be completely restored
to its former glory, including the
river terrace and the Great Curt,
which have been reopened to the public.
In 1996, Arthur Gilbert gave his collection
to the nation and in 1999 received
a knighthood.
Chamber's Great Arch in the Embankment
Building - the original Watergate
to Somerset House - has been restored
and at its base is displayed an 18th
Century Navy Commissioners' barge
of the kind that would have plied
the Thames between Somerset House
and Greenwich. This very rare survivor
has been loaned by the National Maritime
Museum, Greenwich.
The courtyard is an 18th Century neo-classical
set piece, perhaps the greatest of
its kind in London and now, adding
to its grandeur, are some simple,
gently-spurting fountains which spurt
from 55 jets. The jets change colour
and intensity and are choreographed
by a computer. They disappear below
ground and when they pop up again
you can sometimes catch someone's
unaware shrills, resulting in a shower
bath!! The fountains are programmed
to perform four-minute routines every
half-hour, and 11-minute shows three
times between 10 and 11 am, dancing
and shimmering in endlessly varied
patterns of light and form. They are
the Radio City Rockettes of the kinetic
water times world and their shows
will imbue the courtyard with constant
movement and punctuate musical or
visual promenade events. The courtyard
also now has open-air summer concerts.
The first, by the Orchestra of the
Age of Enlightenment, will be held
on 21 June 2001 (Midsummer's Night)
and these are set to become an annual
event.
The central courtyard is also turned
into an ice-rink around Christmas
time for approximately three weeks.
There are plans - for Christmas 2002
- for it to continue for six weeks.
There is an Ice Rink Cafe selling
seasonal refreshments and the courtyard
is floodlit at night with special
lighting and flaming torches flanking
the rink. It can accommodate 200 skaters
a day and there are plans to make
it a permanent feature of winter in
London. A 40ft-high Christmas tree
dominates the scene, donated to Somerset
House by the Swedish City of Gothenburg,
the birthplace of the house's architect,
Sir William Chambers. (There is a
parallel attraction in New York with
the ice rink at the Rockfeller Centre
built in 1936, one of the city's most
popular winter attractions and when
the giant Christmas tree is lit up
as many as 400,000 people a day flock
to the lavish pedestrian plaza. The
site was recently used in the tear-jerking
movie Autumn in New York starring
Richard Gere and Winona Ryder.)
Simon Jenkins, one-time Editor of
the Evening Standard and still a contributor
to the paper says about the courtyard,
"It was always a place of popular
resort. Georgian spectators watched
barge races on the river. Artists
used the terrace as a vantage point
to paint St. Paul's". There is
also a restaurant and terrace cafe
at Somerset House.
Darlings, when you are in London,
you can find me at Christmas time
skating with my new American friend,
Callie.
Verinha Ottoni
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