La Traviata - Giuseppe Verdi - Royal Opera House - Covent Garden
On 22 May 2001 I went to
the ROH to see Verdi's tragic opera
La Traviata (The Fallen Woman). The
libretto is by Francesco Piave written
after the novel and play La Dame aux
camelias by Alexandre Dumas. Dumas's
Marguerite Gautier, herself based
on the Parisian courtesan Marie Duplessis
who died of consumption at the age
of 23. When Verdi visited Paris in
1852 this play was the sensation of
the season, drawing full houses every
night. Rumour has it that the story
was taken from Dumas' own private
life, describing his relationship
with Duplessis one of most notorious
figures of the Parisian "demimonde".
He admitted, later, that the first
part of the story was, in fact, autobiographical.
Briefly, the story tells of a young
and beautiful, but penniless girl
(known in the play as Marguerite Gautier
and in the opera as Violetta Valery)
who comes to Paris and falls into
doubtful society. Although surrounded
by luxury and riches, she abandons
all this when a young man falls deeply
in love with her and she with him.
Later, she gives him up because she
sees that her past reputation is damaging
towards his social position. She disappears
from his life and dies of consumption.
The opera was first performed at the
Teatro La Fenice in Venice in 1853,
which was practically laughed off
the stage as the singer who was portraying
the character of Violetta - someone
supposedly dying of consumption -
was a very stout, hearty-looking woman;
also, for some reason, they didn't
like the music. After the premiere
Verdi wrote to a friend, "Am
I or the singers to blame for this?
The future will decide. " However,
the following year it was again performed
in Venice, at the Teatro San Benedetto.
This time the opera was a success.
The Prelude to Art one is a famous
piece of music in it own right.
Act I, Scene 1. Violetta Valery's
Salon. A party is in full swing at
Violetta's salon. An admirer (Alfredo
Germon) seizes a glass of champagne
and sings a spirited Drinking Song:
"the glass let us till to the
brim and then raise it to the lady
whose loveliness claims our praise.
. . ". Alfredo invites Violetta
to dance but after a few steps she
is seized by a fit of coughing and
has to sit down. He declares his love
for her and they sing a duet. Violetta
gives him her favourite flower, a
camellia, and promises that she will
see him again when it has faded. The
guests depart and Violetta realises
that she longs to meet Alfredo again:
for the first time she understands
what real love is: "Ah, forse
lui" ("Ah, was it he of
whom I dreamed. . ")
Act 2, Scene 1. Villa outside Paris.
Violetta and Alfredo have three months
of happiness away from the social
whirl of Paris. Alfredo is deeply
in love and rejoices in his passion
of Violetta, singing, "After
a wild unruly life by reckless passions
guided, she brought me back to peace
and calm. . . . " He learns from
the chambermaid that Violetta is going
to sell her jewels, to meet their
expenses. In haste he goes off to
Paris to raise money to repay her.
A visitor arrives - it is Alfredo's
father, George Germont. He asks Violetta
to let Alfredo go as he says the affair
is ruining his son financially. She
denies this and shows him proof that
she has been selling her jewels. This
makes some impression on him but he
is still anxious about his son's future
- she is after all a notorious courtesan,
she breaks out in desperation "and
God has cleansed my soul through my
repentance". "I have two
children", Germont goes on remorselessly
"and their happiness depends
on you. My young daughter is to be
married, but the engagement may be
broken off unless Alfredo is freed
from the liaison and the family name
saved from this scandal". Violetta
is in despair at the choice before
her and she agrees to Germont's demand.
Full of gratitude and deeply moved
Germont begins to look upon her more
benevolently. When Alfredo returns
Violetta has left. He knows nothing
about what has gone on and thinks
she has merely gone to visit someone.
But after she has gone a messenger
brings a letter saying that she is
going to resume her former life in
Paris. Alfredo is stunned. His father
tries to console him and reminds him
of his happy childhood and his beloved
home in Provence. Alfredo then finds
the note inviting Violetta to Flora's
party and rushes off in a frenzy of
jealousy and revenge.
Act
2, Scene 2. A salon in the house of
Flora Bervoix. The party is in full
swing when Violetta arrives escorted
by Baron Duphol and Violetta says
that she has promised never to see
Alfredo again but will not name his
father and says it was Baron Duphol
who forced her decision. The ethereal
introductory Prelude is heard once
again.
Act 3 Violetta's bedroom. Violetta
lies desperately ill, the doctor and
a nurse attending her. She whispers
to her maid Annina that she has not
long to live. A letter arrives from
old Germont. He writes that he has
told his son of her sacrifice and
that Alfredo is now hastening to her.
She weeps for happiness but her joy
is mingled with pain. She has a presentiment
that perhaps he will be too late to
see her once more: "Addio del
passato" ("For ever has
faded the drear so beguiling").
Annina rushes in with the good news
- "Alfredo is here!"Violetta
summons all her strength to leave
her bed. Old Germont, who has followed
his son, enters. He is full of self-reproach
and declares it here after he will
treat Violetta as his own daughter.
"Too late" she sighs. In
heaven she will pray for him. And
she then sinks back, dead.
The part of Violetta Valery was performed
by Darina Takova; Flora Bervoix by
Leah-Marian Jones; Baron Douphol by
Roderick Earle; Alfredo Germont by
Giuseppe Filianoti; Annina by Gillian
Knight;and George Germont by Dmitri
Hyoroskovsky.
Verinha Ottoni.