Cosė fan tutte - Wolfgang Amadeus Mozart - Colin Davis - Thomas Allen
Royal Opera House - Covent Garden
I was at the ROH on 19 November
2001 when I just happened to be sitting
next to the actor Michael York and
his photographer wife Pat. We were
all there to see Mozart's comic opera
Cosi Fan Tutte (libretto by Lorenzo
da Ponte, conducted by Colin Davis).
The opera full name is Cosi fan tutte
ossia La Scuola degli Amati(Women
Are Like That). It was composed in
1789 and first performed in Vienna
on 26 January 1789. It is an opera
buffa, which means it is a comedy.
The plot: offended by the misogynist
remarks of their old friend, the philosopher
Don Alfonso, Ferrando and Guglielmo
agree to lay wagers on the outcome
of a game he has designed to test
the fidelity of their respective sweethearts
(Dorabella and Fiordiligi). Ferrando
plans to spend his winnings on a serenade
to his sweetheart (Una bella serenata)
and Guglielmo on a banquet for his
sweetheart. The two young men agree
to obey the instructions of Alfonso
(who has enlisted the help of Despina,
the women's assistant). The plan was
that they feign a heartbroken departure
as soldiers going into battle, only
to return a few hours later disguised
as dashing Albanians, eager to win
the favours of the abandoned sisters.
The young women put up an outraged
defence of their virtue but before
long they are yielding to the exotic
advances of the strangers (Dorabella
replaces Ferrando's portrait, which
she wears around her neck with a heart
of her new admirer). The conspiracy
gradually becomes enmeshed by their
own plot and are dismayed to find
they are as susceptible as their victims
are. All four lovers discover that
no one is exempt from the secret inconsistencies
of love. Alfonso admits that the plot
was his idea and urges the four to
laugh it off. The women express their
remorse and the men accept pleas for
forgiveness. The experiment is over
and all may learn a lesson from it!!!
Fiordiligi expresses her faithfulness
to her lover in a wonderful aria,
"Firm as a rock in ocean planted,
Tho' the billows may surge around
it, So my heart relies undaunted,
On its virtue and its love".
Soile Iskoski was a superb Fiordiligi
and when she sang "Per Pieta",
I felt that I wanted it to go on forever.
Don Alfonso, however, maintains that
faithfulness in women is like the
phoenix, often talked about but never
sung.
It was another opera updated and performed
in modern dress, with the men disguised
as dreadlocked hippies!
Ferrando was played by Kenneth Tarver;
Guglielmo by Dalibor Jenis; Don Alfonso
(a superb performance as the Don with
his laid-back approach and dead-behind-the-eyes
look) was played by Thomas Allen;
Fiordiligi was played by Soile Isokoski;
Dorabella by Helene Schneiderman;
and Despina by Niccia Rocile.
Verinha Ottoni.
[P. S. The programme carried a tribute
to Thomas Allen, who has had a 30-year
career at Covent Garden. Unlike many
singers who specialise in a few roles,
Allen will sing everything and he
is still adding new roles - a great
vocal artist and actor. He is the
"complete opera singer."
]