The Mikado - Arthur Sullivan - W.S. Gilbert - Jonathan Miller
English National Opera
On 10 December 2001 I saw
The Mikado (or The Town of Titipu)
with music by Sir Arthur Sullivan,
libretto by Sir W. S. Gilbert, and
conducted by Mark Shanahan. Mr. Richard
Angus performed the Mikado of Japan.
Nanki-Poo (Mikado's son, disguised
as a wandering minstrel and in love
Yum-Yum) was performed by Mr. Bonaventura
Bottone. Ko-Ko (Lord High Executioner
of Titipu) was played by Richard Stewart;
Pooh-Bah (Lord High Everything Else)
by Graeme Darby; Pish-Tush (a Noble
Lord) by Riccardo Simmonetti; Yum-Yum,
Pitti-Sing, and Beep-bo (three schoolgirls)
were performed by Alison Roddy, Victoria
Simmonda, and Fiona Canfield. In the
programme there names were prefixed
by Mr or Miss, the old fashioned form
of address, which was used in theatre
programmes many years ago, but a custom
that has since been dropped. Mr Findlay
Wilson performed Katisha's unrequited
lover.
The comic opera The Mikado has been
updated to 1920's Torquay. Gilbert's
text portrayed very much what it meant
to be British. Lazaridi's set is a
sunny white hotel foyer with a fountain
and palms. The men were dressed in
very English (or what was 1920's English)
stripped blazers and straw boaters
(hats). This was very fashionable
dress for the seaside in those days.
Housemaids in the opera were dressed
to look like Lyons Corner House waitresses
(Known as "nippies" - probably
because they moved so quickly from
table to table serving people). The
critics loved it all! Gilbert was
what people now days would call a
"dirty old man". The three
schoolgirls have a very sexy way with
heir lollipops!!!
Jonathan Miller brought more emphasis
to the text rather than purely relying
on Sullivan's charming music. There
is, however, sadness and pathos -
women are valued only if they are
pretty and poor old Katisha dreams
of a world where "punishment
fits the crime" (sung by Lord
High Executioner). Her punishment
and crime consisted of simply living.
Musically, The Mikado contains the
greatest number of well-known tunes.
The music of Act 1 opens with Naki-Poo
singing his famous song "A Wand'ring
Minstrel I, a thing of shreds and
patches". Yum-Yum and her two
sisters sing Three Little Maids from
School are We. In Act II the Mikado
introduces himself with the song A
More Humane Mikado Never did in Japan
Exist with its celebrated refrain:
"My object all sublime I shall
achieve in time - to let the punishment
fit the crime." Ko-Ko sings the
enchanting song "The flowers
that bloom in the spring, Tra la,
Have nothing to do with the case",
in reply to Naki-Poo's request that
Ko-Ko marries Katisha to get him off
his (Naki-Poo's) hands so that his
life will then be as welcome as the
flowers that bloom in the spring.
Alone with Katisha, Ko-Ko declares
his passionate love and on her refusal
sings the sad ballad Willow, Tit Willow
("On a tree by a willow a little
tom-tit..." )
The Gilbert and Sullivan Operas. They
are a series of 14 comic opera. The
first was produced at the Gaiety Theatre,
London and the second at the Royal.
The next four were at the Opera Comique
and the remainder at the Savoy Theatre
in London, which was specially built
to give performances of partners'
work. Richard D'Oyly Carte, who founded
the D'Oyly Carte Opera Co. also, built
the Savoy Theatre. The Savoy was London's
first purpose-built theatre and the
first to have electric lighting. It
opened in 1881 with Patience (or Bunthorne's
Bride) a satire on the aesthetic poets
of the day. The role of Bunthorne
was obviously based on Oscar Wilde.
Gilbert summed up the aesthese as
"A greenery-gallery, Grosvenor
Gallery, Foot-in-the-mouth young man."
The operas are also known as the Savoy
Opera or the D'Oyly Carte Opera. It
was these operas which brought Gilbert
and Sullivan (or G&S as they are
known) together, but Sullivan was
a serious composer rather chafed at
the task of turning out tunes to Gilbert's
comic rhymes, thus the two often quarrelled.
I read that they even got so petty
that they argued over the cost of
the carpet at the Savoy! ! There have
been several films about G&S,
the most memorable perhaps was the
1953 film The Gilbert and Sullivan
Story.
Sir William Schwenk Gilbert - born
in 1836. He had many occupations and
a wide variety of interests. He was
in turn a civil servant, barrister-at-law
(obviously influencing his libretto
for Trial by Jury), a dramatist, and
a stage producer. Gilbert had a great
sense of humour, which crept into
his libretto. He died in 1911, at
the age of 74, in a gallant attempt
to save a young woman from drowning.
Sir Arthur Sullivan - 1842-1900. He
wrote several hymns including Onward!
Christian Soldiers and the poignant
The Last Chord. His last years were
in deep contrast to the earlier splendour
of his career; he gambled extravagantly
at Monte Carlo and was in very poor
health, alleviating continual pain
with drugs. He had what almost amounted
to a state funeral, the crowds lining
the London streets as the cortege
made its way to St Paul's Cathedral
where he is buried.
Verinha Ottoni.